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Tickets for the Leonardo’s Last Supper are used to see one of the best known works of Leonardo da Vinci: The Last Supper inside Santa Maria delle Grazie church. Painted during his milanese period that began in 1482 under the supervision of Ludovico il Moro, duke of Milan. Ludovico had brought in the city a new openness to scientific innovations, opposite to Lorenzo the Magnificent, who was more attracted to the philosophical and literary research applied to the painting and sculpture.

Tickets for the Leonardo’s Last Supper by Da Vinci master

Tickets for the Leonardo’s Last Supper by Da Vinci master are very complicated to find due to the high request that every day the museum has for simple visits or guided tours. Leonardo is rrenown to the Florentine tradition of coteries, but reinterpreting it in a very original way, with more emphasis on the dramatic moment when Christ says, "Some of you will betray me" and on the troubled  expressions of the apostles. They are portrayed in groups of three, as a series of emotions, with a central and dominant single figure of the Christ.
Leonardo changed the traditional iconography choosing not represent Judas apart but together with the other disciples and turned to listen to the words of the master. Tickets for the Leonardo’s Last Supper by Da Vinci master allow you to see this scene.

Tickets for the Leonardo’s Last Supper inside the refectory

Those who are looking for tickets for the Leonardo’s Last Supper inside the refectory of Santa Maria delle Grazie are attracted not only by this famous work that after the great restoration of twentieth century was reopened to the public, but also for the name of the painter and for the beauty off the church of Santa Maria delle Grazie. The restoration last more than twenty years and which was attended by numerous scholars and restorers, thanks to them you can still see a good part of original painting. The study that was carried out for the Last Supper was the first to search for traces of the original painting hidden under layers of paint that in the second half of the sixteenth century they tried to take back the original colours of Leonardo but that in the end led to the total overlap of colours and shapes, and follow to the documents, that St. Peter came to have a protruding forehead and menacing expression that was not absolutely the original one that Leonardo had given him. They found the tiles that had fallen during the bombing of World War II and sought to place in their original. Tickets for the Leonardo’s Last Supper inside the refectory of Santa Maria delle Grazie are now available on www.ticketsmilan.com.